Townsend Labs Sphere 1.4 L22 Condenser Studio Mic

Description

The Sphere L22 microphone system from Townsend Labs models the characteristics of the most sought-after large-diaphragm condenser microphones with amazing accuracy and allows selection of different mics and patterns even after tracking.

The Spheresystem consists of a high precision dual channel microphone, which when paired with the included Sphere plug-in (UAD, VST, AU, AAX Native) accurately models the response of a wide range of mics, including transient response, harmonics, proximity effect and three-dimensional polar response.

• Record with the sound of microphones manyhave only dreamt about
• Change mic type, polar pattern, and other microphone characteristics, even after tracking!
• Audition the sound of differentmicrophones without tiring the vocalist
• Reduce bleed, undesirable room coloration, and other common issues using Off-Axis Correction
• Record in stereo from a single microphone

Breakthrough Microphone Modeling Technology

Spheres three-dimensional approach captures the spatial nuances, proximity effect and off-axis frequency response of a wide range of microphones, which until now was not possible with any other product.

Dream Collection

Access some of the most prized microphones of all time,including a 47 (with VF14 tube), a 67, an M49, and a C12.

Sphere L22 Microphone

The Sphere system employs the high-resolution, dual-channel L22 large-diaphragm condenser microphone, custom designed to capture the three-dimensional soundfield with exacting detail. Manufactured to extremely tight tolerances, the L22 ensures that modeling is consistent and accurate.

Realtime UAD and AAX DSP Processing

With Universal Audio Apollo, achieve extremely low latency (approx. 1.6ms round trip at 96kHz) for guaranteed real-time performance. The AAX DSP format allows for guaranteed low-latency performance on Avid HDX systems. Sphere also supports native AAX, VST and AU.

Polar Pattern Modeling

Because Sphere captures the three-dimensional response of target microphones, it precisely emulates the polar patterns and other off-axis characteristics of vintage microphones which are essential to their unique sound.

Re-Mic Sphere Tracks

Select mic type, polar pattern and other settings both before and after tracking.

Adjustable Proximity Effect

No need to move a microphone solely because of too little or too much bass due to proximity effect. Great for punching in a vocal where distance from the mic varies from take to take.

Dual Mic Models

Dual Mode in the Sphere plug-in makes possible phase-coherent mixing of multiple virtual mic models from the same physical microphone, before or after tracking. It’s also possible to adjust the relative phase alignment of the two mics with the Align control.

Record In Stereo (With One Mic)

With just one Sphere L22 mic its possible to make coincident stereo recordings, and even have different mic models on the left and right channels, using the Sphere 180 plug-in.

Axis Shift

Virtually rotate the axis of the mic to give a more off-axis sound before or after tracking.

Off-Axis Correction

Create more accurate polar patterns to reduce bleed, room coloration, and susceptibility of feedback before or after tracking. For more information see the Off-Axis Correction chapter in the Sphere Hardware and Software User Guide.

Polar Meter

The Sphere plug-in features a visually informative (and very cool) Polar Meter that dynamically displays the direction and level of sound being picked up by the microphone, as well as the currently selected polar pattern.

Low Noise

The microphone hardware has a self-noise level of 7dB-A SPL, well below most vintage microphones and comparable to many of the best modern microphones.

High SPL Handling

The L22 can handle in excess of 140dB SPL before clipping and is remarkably rugged. It wont be damaged by high SPLs or air blasts as some vintage microphones can be.

Townsend Labs Releases Sphere 1.4

Ten new microphone models have been added to the Sphere plug-inthe software component in the award-winning and best-in-class Sphere L22 microphone modeling system. With the 1.4 update,which is free of charge, the collection now includes over 30 individual models. Version 1.4 of the Sphere plug-in is available in all major native plug-in formats, as well as Universal Audios UAD-2/Apollo and Avids AAX DSP platforms.

LD-563

Based on a classic German bottle microphone with interchangeable microphone capsule heads. The different polar patterns in the Sphere plug-in are based on three different capsules, M7, M8, and M55k. For many, the 563 with the M7 cardioid capsule is a favorite for recording vocalists.

LD-017T

A commissioned model of a current production Soyuz 017 TUBE large diaphragm microphone, created in partnership with Soyuz. Its a modern classic that is 100% hand-built in Tula, Russia. Popular uses include vocals and acoustic instruments.

DN-409N and DN-409U

Based on two different variants of the classic German 409 dynamic microphone, which is a favorite for rock vocals and guitar amplifiers. The older N-version is slightly more colored whereas the U-version from the 1980s has a nice, smooth top-end.

DN-421N, DN-421S, and DN-421B

Based on three different variants of the iconic German 421 microphonea large-diaphragm dynamic, popular for bass and guitar amps, kick drums and toms, horns, and vocals. The N-version is based on a classic beige 421 from the 1960s and has a slightly warmer sound than the 421B, which is based on a current production black 421 and faithfully captures its slightly brighter character. The 421S is the oldest version of the three, with a script logo and a more colored sound.

DN-12A and DN-12E

Based on Austrian dynamic microphones – a go-to choice for kick drum and bass instruments. The DN-12A is based on the original version from the 1950s and has a more colored sound. The DN-12E is based on a later version with a slightly more “modern” sound.

SD-416

Based on an industry-standard shotgun microphone, commonly used in the studio for voice-over and ADR duties. It is the go-to mic for that big voice-over sound in Hollywood-produced movie trailers were all so familiar with.